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・ Edward Salim Michael
・ Edward Salisbury Dana
・ Edward Rogers
・ Edward Rogers (composer)
・ Edward Rogers (comptroller)
・ Edward Rogers (representative)
・ Edward Rogers III
・ Edward Rogers Wood
・ Edward Rollins
・ Edward Rollins (boxer)
・ Edward Romanowski
・ Edward Rombo
・ Edward Romilly
・ Edward Ronald Walker
・ Edward Rondthaler
Edward Rooker
・ Edward Root
・ Edward Roper
・ Edward Roscoe Meek
・ Edward Rose
・ Edward Rose (cricketer)
・ Edward Rose Tunno
・ Edward Roseman
・ Edward Rosen
・ Edward Rosenbaum
・ Edward Rosewater
・ Edward Ross
・ Edward Ross (rugby union)
・ Edward Ross Wharton
・ Edward Rossiter


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Edward Rooker : ウィキペディア英語版
Edward Rooker

Edward Rooker (c. 1712 – 22 November 1774) was an English engraver, draughtsman and actor.
==Life and work==

Rooker was born in Towcester in Northamptonshire around 1712,〔(Biography ) (Towcester Families).〕 to Michael and Ann Rooker, and was a pupil of Henry Roberts, a landscape engraver. He became celebrated for his architectural plates, which he executed in an extremely rich and artistic style. Art historian Horace Walpole termed him the "Marc Antonio" of architecture.
Among Rooker's early works are a view on the Thames from Somerset House (1750), and a view of Vauxhall Gardens (1751), both after Canaletto; a view of the Parthenon for Dalton's 'Views of Sicily and Greece' (1751), and a section of St. Paul's Cathedral, decorated according to the
original intention of Sir Christopher Wren, from a drawing by J. Gwyn and S. Wale
(1755).

Rooker also contributed plates to Sir William Chambers' 'Civil Architecture' (1759) and 'Kew Gardens' (1763), James Stuart's 'The Antiquities of Athens and Other Monuments of Greece' (1762), and Robert Adam's 'Ruins of the
Palace of Diocletian at Spalatro' (1764).

Perhaps Rooker's finest work is a set of six views of London, engraved in the manner of Piranesi from drawings by Paul and Thomas Sandby, which
he published himself in 1766. In that year he also drew and engraved a large view of Blackfriars Bridge, then in course of construction.〔(Rooker at the Government Art Collection ).〕 He engraved many landscapes after William Pars, Paul Sandby, Richard Wilson, and others. He also etched, in conjunction with Sandby, three of the set of six large plates of subjects from Tasso's "Gerusalemme Liberata' (painted by John Collins (1725 - c. 1759 )).
The headings of the 'Oxford Almanacks' from 1769 to 1775 were all the joint work of Edward and his son Michael. Rooker was an original member of the Incorporated Society of Artists, and exhibited with them from 1760 to 1768. His last work was done for the 'Copper Plate Magazine', forming a series of landscapes and portraits, which began to appear a few months before his
death.
Rooker was also an actor, working at the Drury Lane Theatre in London between 1752–74, often playing the role of the harlequin.〔Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans. ''A biographical dictionary of actors, actresses, musicians, volume 13'' (Southern Illinois University Press, 1991) pp. 86-8.〕
Edward Rooker died on 22 November 1774 at his house in Great Russell Street in Bloomsbury.〔 His son Michael Angelo Rooker was a notable artist and engraver. Another son Edward Rooker Jr. was also an engraver.

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